Why do so many doctors, osteopaths, gynaecologists, and physiotherapists recommend belly dancing, even without having attended a single class? Perhaps it’s because they intuitively understand that belly dancing strengthens the body’s inner musculature. Rachida Aharrat dives into the anatomy of bellydance to unveil the benefits for your body.
Der Kosmos tanzt: Planeten kreisen und Sterne entstehen. Am weiten Nachthimmel suchen die Menschen Sternbilder und träumen von fernen Welten.
Der Kosmos tanzt: Planeten kreisen und Sterne entstehen. Am weiten Nachthimmel suchen die Menschen Sternbilder und träumen von fernen Welten.
One of our favourite accessories to dance with is the veil, the theme of our A and A/M choreographies in our next course period (KP2) starting March 4th 2024. Veils can be used to frame movements or become an extension of the dancer’s body. Dynamic, dramatic or dreamy, the movement fills the space around the dancer in colour and shape, as the veil adds a new dimension to the performance.
It’s hard to believe that we’ve already danced a whole year in our new studio in Wipkingen. It’s time to look back and celebrate how we achieved our crowdfunding goal to help fund building work and how we’ve filled the space this year with energy, creativity and fun! The new ZeoT dance studio is more than a dance school; it’s a beautiful space for our community to meet, dance, be creative and feel at home.
THE VEIL AS PARTNER
Through spending time alone with your veil you will discover some new and original ways to use the veil when you dance. This time we are going to inject some life into the veil by imagining it as a dancing partner, discovering how to use the veil in a playful or theatrical way. How does it feel to dance together?
Through spending some time alone with your veil you will discover some new and original techniques or ways to use the veil when you dance. ALIA has developed many exercises for fostering creativity, taking elements from theatrical training or contemporary dance, which she has used successfully in many performance based projects such as the Phoenix Performance Project. Here we discover how to use the veil in a deeper, more emotional way.
Dancing with a veil has become an essential element of oriental dance, whether as a short and spectacular burst of colour and movement during the entrance of the dancer or as the main player in a double veil fantasy piece.
But maybe its time to look again at how we use the veil and why, in order to create a dance far removed from cliché, a dance that is really DANCE, not just one that relies on the 'wow moments' of veil tricks and effects.
In this series of blogs we will try to answer the question, Why dance with a veil at all? Is it to cover or to reveal, to fill space, create impact, add colour, lightness or drama? By focusing on techniques to achieve a more profound use of the veil we will also include a few exercises for you to expand on your creativity.
